Hire Lenses

Carl Zeiss Surpremes are Full Frame (Cinematic Large-Format) PL-Mount Lenses. Incredibly fast at T1.5 and outstanding quality, perfect for use with RED Monstro, Arri Alexa LF and Sony Venice, but will also work on Super-35mm Cameras with a crop-factor.

This 18mm gives that wider option...

Carl Zeiss Surpremes are Full Frame (Cinematic Large-Format) PL-Mount Lenses. Incredibly fast at T1.5 and outstanding quality, perfect for use with RED Monstro, Arri Alexa LF and Sony Venice, but will also work on Super-35mm Cameras with a crop-factor.

The 40mm is a classical favourite of...

Carl Zeiss Surpremes are Full Frame (Cinematic Large-Format) PL-Mount Lenses. Incredibly fast at T1.5 and outstanding quality, perfect for use with RED Monstro, Arri Alexa LF and Sony Venice, but will also work on Super-35mm Cameras with a crop-factor.

100mm gives you that extra focal...

Carl Zeiss Surpremes are Full Frame (Cinematic Large-Format) PL-Mount Lenses. Incredibly fast at T1.5 and outstanding quality, perfect for use with RED Monstro, Arri Alexa LF and Sony Venice, but will also work on Super-35mm Cameras with a crop-factor.

150mm gives a fantastic telephoto...

Incredible 2x anamorphic lens with the signature Cooke look that is loved by so many the world over. Colour matches perfectly with the very popular Cooke S4i lenses, and with smooth iris and focus rings for use with focus control units. At T2.3 they offer great speed and are inkeeping the high...

Main Features
• Class leading image quality across the entire 12x zoom range
• Extremely fast aperture of T2.8 with no ramping
• Superb image quality from open aperture
• Precise and ergonomic focus ring with scale rotation of 327 degrees and over 70 focus witness marks...

A Full Frame LPL T2.8 Zoom Lens with the quality and precision you would expect from Arri in their Signature Range. Matching their Signature Primes perfectly, but with the benefits of a huge zoom range for those shoots where a quick change of shot, or acquision of many shots where lens changes...

Fujinon Premista 28-100 T2.9 standard cine zoom Lens PL Mount is an incredible lens producing amazing images. It is one of three in the range and includes the Premista 19-45mm and Premista 80-250mm lenses. This lens has incredibly high resolution, accurate colour rendition, and very controlled...

Rare and simply stunning Leica 50mm from their M family. Re-housed to a Cine Style with PL Mount by True Lens, it has an ultra fast aperture of 0.95, producing a beautiful circular bokeh with incredibly small depth of field, which covers Full Frame without any vignette; including Venice, Arri...

Our Kowa-Prominar lenses are an incredible set of vintage anamorphic lenses that offer a low contrast and pleasantly warm and unique filmic aesthetic.

Originally manufactured in Japan in the 1960s, and rehoused for more modern applications, the lightweight and compact design makes them...

The wonderful Cooke S4i T2 prime lens set of 6. Famous for the unique 'Cooke look' that directors and DOPs love, these are a firm favourite of Hollywood because of the gentle softness of the image and the gentle way the focus drops away even at T2. These are a joy to focus and create...

Fantastic addition to the Kit of 6, settling in nicely just above 32mm, giving those extra creative options, but always with that wonderful Cooke look.

Very useful addition to the standard set, giving you those extra options between the 50mm and the 75mm.

The classic favourite focal length for many Directors and DOP's. 40mm is loved due to it's slightly-wider-than-natural perspective and is a popular addition to the Cooke S4i set, slotting in between the 32mm and 50mm for that extra option.

Beautiful wide option for the Arri Ultra Prime set.

The Zeiss Super Speed PL Lens set are the most popular of all the vintage prime sets. They are seriously fast at T1.3 for incredible low light performance but are also light and compact. They are also very sharp above T2.8 but below that they give a soft look that Directors love. One of the main...

Canon K35’s Set of 5 fast primes are seriously popular and very cool. They are used for films, commercial and music videos and for any project where a vintage super fast lens is required. They give a softer look than modern lenses with amazing bokeh and flattering skin tones.

18mm
...

Leica Summicron C 6 prime set is a joy to film with, and give that special 'Leica' look that Directors love.

All lenses will cover RED Dragon Sensor in 6K Mode

18mm T2
25mm T2
35mm T2
50mm T2
75mm T2
100mm T2

Optimised with high-speed zoom, iris and focusing to allow operators to respond rapidly during fast-paced scenes. Ideal for use in the field for productions such as documentaries and event filming.

With a zoom range from 17-120, it covers a great range whilst maintaining optical quality...

Pentafinder, also often referred to as a Directors Viewfinder, gives a quick look at the potential shot of various focal lengths, without rigging the whole production, and being small enough to keep in your pocket for moving around easily.

This Sigma is specifically designed for Full...

Canon 135mm T2.2 Fully Manual 4K Rated EF Cinema Lens

Canon 18-80 is a lightweight but versatile Cine Zoom lens. Not the fastest at T4.4 but with an 18-80 zoom range it covers a decent amount for most shoots. Often hired as an alternative to having both a 16-35 and a 24-70, as negates the need for lens changes on the shoot saving a considerable...

Тhе Тоkіnа Сіnеmа 11-20mm Т2.9 PL mount lens іѕ а соmрасt, wіdе-аnglе Т2.9 zооm lеnѕ thаt hаѕ gаіnеd а lоt оf рорulаrіtу аmоng fіlmmаkеrѕ. Wіth vеrу lіttlе dіѕtоrtіоn аnd mіnіmіѕеd fосuѕіng brеаthіng, thе іmрrеѕѕіvе Тоkіnа 11-20mm Т2.9 dеlіvеrѕ оutѕtаndіng іmаgе quаlіtу. Іt hаѕ а раrfосаl lеnѕ...

The Samyang VDSLR prime lens kit 5 is EF mount and despite the name Produced in Germany. They are very fast and they are impressively compact and light so great for use on a gimbal. They have gears for follow focus or remote as well as iris gears. the lenses are designed to cover a full frame...

The ARRI Alura 30-80/T2.8 zoom is matched to all ARRI prime and zoom lenses. It is a popular choice for film and commercial shoots along with the ARRI Alura 15.5-45/T2.8.
These zooms share the unique characteristics that have made the existing Alura studio zooms (18-80/T2.6 and 45-250/T2....

MC Peleng 8mm F3.5 fisheye lens

This rare Russian PL Mount Circular Fish Eye is designed to give a full 180 degree field of view on Super 35mm & APS-C sensor cameras. It gives a circular image which vignettes in the corners, or gives a circular image on a full frame...

The Zeiss 100mm f2 T* Makro-Planar ZE Lens offers fantastic macro performance. It is highly reliable with full metal precision mechanics. If you want to get close in or film something really small then this is the lens for you.

An ultra-telephoto CINE-SERVO lens, ideal for, festivals, concerts sports events and wildlife applications the CN20 offers stunning 4K performance.

20x zoom and a 1.5x built-in extender for an unrivalled 50-1000mm focal length (75-1500mm with extender).

Kit includes tripod mounted...

Popular among Photographers and Cameramen alike, Canons 24mm prime is Ultra fast (1.4) and ultra cool.

A wide 84" Angle of view means that this is a perfect lens for your wide shots.

Works brilliantly along side the Canon 50mm 1.2 and the 85m 1.2

Canon's L Series F1.2 50mm. A classic, and excellent for getting a shallow depth of field.

One of the best wide angle lenses ever made. This lens is almost as sharp as a prime lens throughout it's zoom range.

The mark 2, released in 2012, includes a number of nice tweaks and improvements on the mark 1, further improving the optical quality.

For use on cameras such...

One of the most popular zoom lens ever made. Excellent zoom range makes it perfect for close ups and also for interviews.

The Canon EF 100-400mm f/4.5-5.6 L IS Mark II USM lens, is superb for getting close up shots of your subject.

The 24-105 Canon F4 IS lens is a fantastic standard zoom lens. It is wide enough for most cicumstances, and gives a much longer reach than the very well respected 24-70.

The addition of image stabilisation gives many advantasges, including a huge rise in image quality from DSLR, such as...

F4 Version of the popular 70-200 Zoom Lens; a cheaper alternative if you're filming outdoors and don't require the low light capabilities of the 2.8 version.

Sony's versatile wide angle zoom lens in the GMaster range of lenses. Great optical quality through a Sony E-Mount, supporting the outstanding facial-recognition autofocus features of the Sony ILME range of cameras.

Sony's telephoto zoom lens in the GMaster range of lenses. Very useful focal length for getting those close up shots, as 200mm is ample for most situations, but at 70mm at it's widest you are not totally limited to purely close ups. As with all the popular G Master range, it has great...

The classic walkaround lens, when you don't need the speed or autofocus that the G Master (f2.8) offers, and keeps yor budget down. It's still a solid workhorse of a lens, and great in a variety of situations, especially filming outside when low light is not an issue.

Sony's 35mm Prime lens in the G Master range of lenses. Great optical quality through a Sony E-Mount, supporting the outstanding facial-recognition autofocus features of the Sony FX and ILME range of cameras.

Known for creating that 'toy town' look, the f3.5 24mm Tilt Shift allows you to adjust the Tilt and Shift movements within the lens independantly, allowing perspective and depth of field to be controlled separately.

It is not just used to create obscure images though, it can also be used...

The Laowa 24mm Probe lens, also referred to as an Anteater lens due to it's unusual shape, is an extreme Macro lens designed around getting really unusual close up views. The long nose allows you to get into positions standard lenses cannot, and with small LED lenses at the tip of the lens...

The Metabones Canon EF Lens to Sony E Mount T Smart Adapter (Mark IV) allows you to use the vast selection of Canon EF mount zoom and prime lenses on cameras such as the Sony PXW-FS7 or Sony A7s. Just attach the adapter to the front of the camera and you are ready to go. The digital contacts...

Stainless steel PL mount
Aluminium construction, anodised and blackened

The Mark 3 Canon 1.4 EF Extender is a huge improvement on the Mark 2. Fits between the lens and EF Mount to give you 1.4x range on your existing EF lens (turning a 200mm into 280mm). Specially designed to work in conjunction with EOS L-series lenses.

<b>Canon HJ14 EX4.3B IRSE Broadcast Lens.</b>

This is the newer model for the popular Canon HJ11, a truly amazing HD Lens with an extremely wide angle and with a 14x zoom (28x with the optic doubler!)

The HJ14 is the widest angle among all the broadcast lenses whilst...