• Class leading image quality across the entire 12x zoom range
• Extremely fast aperture of T2.8 with no ramping
• Superb image quality from open aperture
• Precise and ergonomic focus ring with scale rotation of 327 degrees and over 70 focus witness marks...
Our Kowa-Prominar lenses are an incredible set of vintage anamorphic lenses that offer a low contrast and pleasantly warm and unique filmic aesthetic.
Originally manufactured in Japan in the 1960s, and rehoused for more modern applications, the lightweight and compact design makes them...
The wonderful Cooke S4i T2 prime lens set of 5, PL mount are famous for the unique 'Cooke look' that directors and DOPs love. These are a firm favourite of Hollywood because of the gentle softness of the image and the gentle way the focus drops away even at T2. These are a joy to focus and...
The Cooke S4i T2 14mm prime lens is a fantastic addition to the standard set of 5 when you need an ultra wide perspective This PL mount lens is famous for it's unique 'Cooke look' that directors and DOPs love. They are a firm favourite of Hollywood because of the gentle softness of the image and...
Lomo anamorphic lenses have all the character of a classic anamorphic glass; with beautiful elliptical bokeh and lens flare, creating an instant cinematic look to your shots but at on a much friendlier budget to hire than some of the more modern anamorphic lens options.
With 2x anamorphic...
The Cooke S4i T2 100mm prime lens is a fantastic addition to the standard set of 5 when you need a more telephoto perspective This PL mount lens is famous for it's unique 'Cooke look' that directors and DOPs love. They are a firm favourite of Hollywood because of the gentle softness of the image...
Ultra Prime Lenses have the widest focal range of any prime lens set available. They are designed specifically for motion pictures but are an excellent choice for corporate and commercial work.
Ultra Prime Lenses retain their superb image quality even at close focus across the whole...
A stunning Cinematic Super-35mm Zoom lens, in PL mount and T2.8 across the zoom range and smooth movements throughout with no breathing throughout the zoom range. It is also incredibly lightweight at less than 2kg, making it very popular for hire with the handheld and gimbal market.
The Zeiss Super Speed PL Lens set are the most popular of all the vintage prime sets. They are seriously fast at T1.3 for incredible low light performance but are also light and compact. They are also very sharp above T2.8 but below that they give a soft look that Directors love. One of the main...
Carl Zeiss Surpremes are Full Frame (Cinematic Large-Format) PL-Mount Lenses. Incredibly fast at T1.5 and outstanding quality, perfect for use with RED Monstro, Arri Alexa LF and Sony Venice, but will also work on Super-35mm Cameras with a crop-factor.
Set includes 25mm, 29mm, 35mm, 50mm...
Arri's Creme de la creme lenses, giving incredible full 4K images specifically designed around the new Arri full frame LF sensor, with a huge amount of care and precision on engineering a beautiful bokeh and gentle softening of skin tones.
Canon K35’s Set of 5 fast primes are seriously popular and very cool. They are used for films, commercial and music videos and for any project where a vintage super fast lens is required. They give a softer look than modern lenses with amazing bokeh and flattering skin tones.
Arri Master Prime T1.3 PL with incredible close focus capability are best described as perfect. Seriously these lenses are so good at everything that they are actually faultless. They are colour matched with the Arri Ultra Primes and the Arri Alura zooms. They are big and heavy though but it is...
Leica Summicron C 6 prime set is a joy to film with, and give that special 'Leica' look that Directors love.
All lenses will cover RED Dragon Sensor in 6K Mode
Optimised with high-speed zoom, iris and focusing to allow operators to respond rapidly during fast-paced scenes. Ideal for use in the field for productions such as documentaries and event filming.
With a zoom range from 17-120, it covers a great range whilst maintaining optical quality...
Canon CN-E 30-105 T2.8 PL Cinema Zoom
The Canon 30- 105 CN-E lens is a great compact zoom lens. In fact feels as well put together and producers images that you might expect from very high end cinema glass. It is designed to be used with super 35 or APS-C 4K or HD...
Canon 4K rated CNE Prime set are an outstanding fully manual EF solution.
Hire Canon Cinema 4K Prime Lenses (Canon CinePrimes) from Media Dog, based in Birmingham the Midlands, Manchester and Glasgow Scotland, but ship...
Canon 135mm T2.2 Fully Manual 4K Rated EF Cinema Lens
14mm T3.1 Wide Angle lens for the Canon CNE Lens range.
Canon 18-80 is a lightweight but versatile Cine Zoom lens. Not the fastest at T4.4 but with an 18-80 zoom range it covers a decent amount for most shoots. Often hired as an alternative to having both a 16-35 and a 24-70, as negates the need for lens changes on the shoot saving a considerable...
Designed and produced in Germany these lenses ideal for shooting in low-light conditions, and provides beautiful bokeh. Kit includes...
24mm - T1.5
35mm - T1.5
50mm - T1.5
85mm - T1.5
14mm - T3.0
The Samyang VDSLR prime lens kit 5 is EF mount and despite the name Produced in Germany. They are very fast and they are impressively compact and light so great for use on a gimbal. They have gears for follow focus or remote as well as iris gears. the lenses are designed to cover a full frame...
The ARRI Alura 15.5-45/T2.8 is matched to all ARRI prime and zoom lenses. It is a popular choice for film and commercial shoots along with the ARRI Alura 30-80/T2.8 zoom.
These zooms share the unique characteristics that have made the existing Alura studio zooms (18-80/T2.6 and 45-250/T2.6...
The ARRI Alura 30-80/T2.8 zoom is matched to all ARRI prime and zoom lenses. It is a popular choice for film and commercial shoots along with the ARRI Alura 15.5-45/T2.8.
These zooms share the unique characteristics that have made the existing Alura studio zooms (18-80/T2.6 and 45-250/T2....
MC Peleng 8mm F3.5 fisheye lens
This rare Russian PL Mount Circular Fish Eye is designed to give a full 180 degree field of view on Super 35mm & APS-C sensor cameras. It gives a circular image which vignettes in the corners, or gives a circular image on a full frame...
18mm, 35mm, 50mm, 85mm.
Optimised for video with smooth iris ring. These lenses offer incredible video capture that are even better than Canon L glass.
The small depth of field that is achievable is outstanding, and they create a beautiful bokeh which gives your images a filmic and...
Incredibly lightweight and compact, making them perfect for Gimbal work with E-Mount Cameras (such as A7S, A73, FS5 and FS7), especially as they fit natively so also negate the need for an EF (Metabones) adapter, saving further weight.
21mm - f/2.8 Wide-Angle lens
35mm - f/2...
An ultra-telephoto CINE-SERVO lens, ideal for, festivals, concerts sports events and wildlife applications the CN20 offers stunning 4K performance.
20x zoom and a 1.5x built-in extender for an unrivalled 50-1000mm focal length (75-1500mm with extender).
Kit includes tripod mounted...
Set of Super Fast PL Primes. Very light so great for gimbal work or when you're running around various locations.
18.5mm, 25mm, 36mm, 50mm, 85mm, all T1.5.
Carl Zeiss Loxia f2 50mm Prime Lens
Carl Zeiss Loxia f2 50mm E-mount Prime Lens
The EF 14mm f/2.8L II USM is a very very wide lens with a 114˚ field of view. It is the widest of Canon's L glass and controls distortion well for such a wide lens.
The image quality is as good as you would expect from a Canon L series lens.
Popular among Photographers and Cameramen alike, Canons 24mm prime is Ultra fast (1.4) and ultra cool.
A wide 84" Angle of view means that this is a perfect lens for your wide shots.
Works brilliantly along side the Canon 50mm 1.2 and the 85m 1.2
The 35mm is a standard for both photographers and cameramen. It is is Ultra fast (f1.4) and creates ultra cool images.
Works brilliantly along side the Canon 50mm 1.2 and the 85m 1.2 or and of the L series lenses.
Canon's L Series F1.2 50mm. A classic, and excellent for getting a shallow depth of field.
Canon's L Series F1.2 85mm. perfect for those interview shots, or portrait photography.
Even better when used alongside the 24mm and 50mm
Its hard to put into words just how cool this lens is.
This Lens is Super wide, but with very little distortion. ideal for landscape photography, or if your after some very cool video work.
One of the best wide angle lenses ever made. This lens is almost as sharp as a prime lens throughout it's zoom range.
The mark 2, released in 2012, includes a number of nice tweaks and improvements on the mark 1, further improving the optical quality.
For use on cameras such as the...
The classic "walkaround lens". If you were going to have one lens, this is it, because it is a nice compromise between wide and zoom.
One of the most popular zoom lens ever made. Excellent zoom range makes it perfect for close ups and also for interviews.
One of the most popular zoom lens ever made. Excellent zoom range makes it perfect for close ups and also for interviews.
With Image Stabalisation. (non-IS version available for £30)
The Canon EF 100-400mm f/4.5-5.6 L IS Mark II USM lens, is superb for getting close up shots of your subject.
Canon 100mm F2.8 Macro Lens.
Get up close to your subject with stunning macro images. Super sharp and super fast focusing.
Call us now for Camera and Lens Hire in Birmingham and The Midlands.
The 24-105 Canon F4 IS lens is a fantastic standard zoom lens. It is wide enough for most cicumstances, and gives a much longer reach than the very well respected 24-70.
The addition of image stabilisation gives many advantasges, including a huge rise in image quality from DSLR, such as...
Sigma 18-35 F1.8 - the newest lens from Sigma, remains constant F1.8 aperture through it's zoom range.
Provides a 35mm-equivalent focal length range of 28.8-56mm.
F4 Version of the popular 70-200 Zoom Lens; a cheaper alternative if you're filming outdoors and don't require the low light capabilities of the 2.8 version.
Sony E-Mount 10-18mm F4 lens is an APSC wide angle for E-mount lenses such as the FS5, FS7 and A7S.
This F4, 18-105mm lens is normally teamed up with the Sony FS5.
For se with E-mount cameras this G Lens delivers stunning still or movie imagery with the flexibility of 6x power zoom. Maximum aperture is a constant F4 with excellent resolution and contrast throughout. A zoom demand on the...
This compact, multi-purpose 24–70mm zoom lens bring renowned Zeiss resolution and contrast to a range of shooting situations – from studies of the natural world to portraits and landscapes. With an F4 maximum aperture across the zoom range and built-in image stabilisation, it also performs well...
The Lensbaby Sol 45 is a 45mm fixed f/3.5, is a new easy to use lens that creates a tack-sharp circular area of focus surrounded by dramatic blur and smooth bokeh. Featuring an 8.5º area of tilt, users can select the area of focus within their, whether you are shooting on a full frame or APS-C...
The Laowa 24mm Probe lens, also referred to as an Anteater lens due to it's unusual shape, is an extreme Macro lens designed around getting really unusual close up views. The long nose allows you to get into positions standard lenses cannot, and with small LED lenses at the tip of the lens to...
The CineMagic Revolution Lens System is a snorkel lens system that can turn through 360 degrees, and the miniature PL lenses give you a variety of focal lengths, making this device ideal for tabletop or miniature shots, where there is not enough space to mount and rotate a full camera setup....
The Metabones Canon EF Lens to Sony E Mount T Smart Adapter (Mark IV) allows you to use the vast selection of Canon EF mount zoom and prime lenses on cameras such as the Sony PXW-FS7 or Sony A7s. Just attach the adapter to the front of the camera and you are ready to go. The digital contacts...
Stainless steel PL mount
Aluminium construction, anodised and blackened
Our 2X III Doubler is ideal for nature, sports and red carpet press shoots in conjunction with our L-series telephoto zoom lens! It increases the focal length of by a factor of 2x great for getting closer to your subject with out being in thee space.
The Mark 3 Canon 1.4 EF Extender is a huge improvement on the Mark 2. Fits between the lens and EF Mount to give you 1.4x range on your existing EF lens (turning a 200mm into 280mm). Specially designed to work in conjunction with EOS L-series lenses.
The Canon HJ22 offers fantastic zoom whilst still being small and light enough to transport for use in the field.
Canon HJ22X7.6 High Definition Broadcast Lens.
Canon HJ14 EX4.3B IRSE Broadcast Lens.
This is the newer model for the popular Canon HJ11, a truly amazing HD Lens with an extremely wide angle and with a 14x zoom (28x with the optic doubler!)
The HJ14 is the widest angle among all the broadcast lenses whilst maintaining...
Canon HJ40 lens is the industry standard telephoto lens. Favourite for wildlife, stadium, sport and festival use. With it's gyroscopic image stabilisation system on a 14-560 zoom range, it is the best in the business.
Supplied with zoom and follow focus.
Free nationwide delivery on...